○● Why commoning?
○● Is it a useful concept? Ie to think of soundworlds as commons; and interventions in them as kinds of commoning?
○● Maybe - 'the pond' (Sukanta Majumdar - acousticommons.net): value of partly un-noticed resources (water tank) - cp other commons eg resonating air, as the basis for sound
○● (Ecological) value of un(der)-valued places, as revealed by sounds, or of sounds themselves
○● Intangible cultures / ephemeral elements of heritage (cp a space for immersion of idols; a place for making noise? fireworks, bells)
○● Unresolved territory - neither private nor public (Stavros Stavrides)
○● Contested/ negotiated spaces and resources in common (commoning) (")
○● Areas outside mainstream development narratives (Third soundscape - Gilles Clément, Leandro Pisano)
○● Soundworlds as threshold spaces (Stavrides) that offer / provoke entanglement / open interactions / encounters
○● Active engagement with transmission ecologies (Anna Friz, Tetsuo Kogawa) - extending auditoria (Jérôme Joy)
○● Becoming radio (Sophie Dyer)
○● People with antennae..! (Het Nieuwe Instituut)
○● Study (Fred Moten, Stefano Harney)
○● Trans-scalar transmission networks (Kate Donovan, Datscha Radio)
○● Planetarity (Gayatri Spivak, Jennifer Gabrys)