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Why commoning?
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Sharing
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Is it a useful concept? Ie to think of soundworlds as commons; and interventions in them as kinds of commoning?
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Maybe - 'the pond' (Sukanta Majumdar - acousticommons.net): value of partly un-noticed resources (water tank) - cp other commons eg resonating air, as the basis for sound
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(Ecological) value of un(der)-valued places, as revealed by sounds, or of sounds themselves
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Intangible cultures / ephemeral elements of heritage (cp a space for immersion of idols; a place for making noise? fireworks, bells)
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Unresolved territory - neither private nor public (Stavros Stavrides)
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Contested/ negotiated spaces and resources in common (commoning) (")
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Areas outside mainstream development narratives (Third soundscape - Gilles Clément, Leandro Pisano)
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Soundworlds as threshold spaces (Stavrides) that offer / provoke entanglement / open interactions / encounters
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Active engagement with transmission ecologies (Anna Friz, Tetsuo Kogawa) - extending auditoria (Jérôme Joy)
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Becoming radio (Sophie Dyer)
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People with antennae..! (Het Nieuwe Instituut)
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Study (Fred Moten, Stefano Harney)
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Trans-scalar transmission networks (Kate Donovan, Datscha Radio)
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Planetarity (Gayatri Spivak, Jennifer Gabrys)